|

|
|

David Bowie's concert at the Santa Monica Civic
Auditorium in Los Angeles on the 20th October 1972 was a classic
Ziggy Stardust concert and one which firmly established him in the
American market. And for many Bowie fans, this concert, available
only as a famous bootleg for many years until the concert was
officially released in 1994, still remains the most exciting live
performance ever by David Bowie and The Spiders From Mars.
Bowie's 1st US Ziggy Stardust tour had started in Cleveland on 22
September 1972 and from the beginning the tour had proved to be an
overwhelming success with more concerts added over time to meet
demand. Although little known in the US, Bowie was acting as a star
and with word spreading of his amazing stage shows, his concerts
were beginning to sell out. Originally designed to end in California
with the one show on 20th October 1972 - Tony DeFries began adding
more concerts to the 1st US Ziggy Stardust Tour - eventually
extending the tour by another six weeks. |
On
16 October 1972, the 46-strong Bowie entourage arrived in Los
Angeles for four days pre-concert relaxation staying at the very
exclusive and expensive Beverly Hills Hotel - set in 12 acres of
tropical foliage (the final bill would cost RCA Record & Tapes over
$100,000 - $20,000 just for room service!).
The New York critic Lisa Robinson had recommended this location
to Leee Black Childers (Bowie's publicist) as vital for promoting a
star image. Bowie wrote the song "Cracked Actor" at the
Beverly Hills Hotel after touring Hollywood Boulevard. Mike Garson
found himself in a luxury bungalow between Elton John and Perry
Como. Incidentally, relations between Elton John and Bowie were
fine, with Elton visiting Bowie in spite of Bowie's reported view
that John's "Rocket Man" was a direct rip-off of his
"Space Oddity."
|
The
Santa Monica Civic Auditorium is situated on Pico and Main on the
Los Angeles coastline. There were two shows at Santa Monica - one on
the 20th and another was quickly booked on the 21st when the first
sold out immediately.
The
Santa Monica shows were promoted by Jim Rissmiller, a well known
West Coast promoter, who Tony DeFries used for advice on planning
the first US Ziggy Stardust Tour. Rissmiller, however, had never
heard of David Bowie before De Fries contacted him and was intrigued
with the hype surrounding Bowie. On the morning of the 20th, when
Bowie attended the customary sound check, Rissmiller approached
Bowie in order to shake his hand only to be intercepted by Bowie's
karate-suit wearing bodyguards, Stuey George and Tony Frost - who
informed him "Don't go near him, don't shake hands with him -
David Bowie doesn't like to be touched." Rissmiller,
undeterred by this rebuff, attended the concert and was extremely
impressed with both Bowie and the Ziggy Stardust show.
The
concert at Santa Monica Civic Auditorium was to be Bowie's first
live American radio broadcast, and subsequently there was great
pressure on him and the band to deliver one of the best Ziggy
Stardust shows ever, and so it turned out to be! The show (attended
by 3,000 and broadcast to tens of thousands more) captured Bowie at
his peak and helped tremendously with his American breakthrough.
The show quickly
became a high quality popular bootleg through its exposure on FM
radio. The performance of Bowie at Santa Monica was officially
released on 25 April 1994 as SANTA MONICA '72 after circulating
amongst Bowie fans for years as one of THE best Bowie bootlegs ever. |

RCA also recorded this concert for a planned Ziggy
Stardust live album which never eventuated. The original plan
was to release the very first live Bowie album in time for the
1972 Christmas market. This double LP was to include the Santa
Monica concert plus tracks recorded by RCA at the Boston Music
Hall concert 19 days earlier. However, the LP was scrapped and
the Santa Monica material only released officially in 1994. The
Boston tracks were discovered and released as part of Rykodisc's
Sound + Vision box set in 1989.
|
Heard on an original FM radio broadcast, a
DJ set the scene:
"Steve Martin here, backstage at the
Santa Monica Civic Auditorium. Its a cool night in
Los Angeles and as you may know or not know, the
Santa Monica Civic is about a hundred yards from the
beach so we have a cool breeze blowing off the ocean
through the stage at our backs. The auditorium is
packed, as a matter of fact, for the first David
Bowie concert in the Los Angeles area. There will be
one more tomorrow night, this is the concert tonight
which will be recorded by RCA for the next David
Bowie album and we expect to hear some new material
by this British superstar. David and his group, the
Spiders from Mars, will enter from the other side of
the stage. The auditorium is completely blacked out
except for flashing strobe lights. Now the entrance
music will be the Ode, or should I say the Ode to
Joy which is featured in the movie "Clockwork
Orange" and the house lights are starting to dim,
..... Here's David Bowie."
The songs played were as follows:
Hang Onto Yourself / Ziggy
Stardust / Changes / The Supermen / Life on Mars? /
Five Years / Space Oddity / Andy Warhol / My Death /
The Width Of A Circle / Queen Bitch / Moonage
Daydream / John, I'm Only Dancing / Waiting For The
Man / The Jean Genie / Suffragette City & the encore
- Rock n Roll Suicide
|

While Bowie and the Spiders
were undoubtedly nervous, the first part of the show was flawless -
except maybe for "5 Years" where Mick Ronson's backup singing
was a little off key. Incidentally Mick Ronson was suffering from
sunburn during this concert - from too many hours spent in the hot
sun by the poolside at the Beverly Hills Hotel. To make things worse
- Sue Fussey, Bowie's hairdresser and Ronson's future wife, had to
bleach his hair back to blond after the swimming pool chlorine had
turned it green overnight. Bowie, unlike most of the entourage,
which included Iggy Pop, stayed in his room out of the sun,
sleeping, reading, writing and watching TV. He was according to
Rissmiller "a frail, chalk-white figure."
|
Following
"Five Years" there was a break in which Bowie tried to
fix a microphone to his guitar. The audience shouted out
a lot of unintelligible things to him during this break.
Bowie said to them "Boy...you are terrific" in an Andy
Warhol accent. Then to his roadies he said, "Get me a
pair of pliers...pliers...or a strong hand...that's
enough, don't tighten it up again. No leave it, look
come here, leave it, no just leave it." To laughs from
the audience he says, "Boy...I've got my shit together."
Next up was a wonderful acoustic performance of "Space
Oddity", "Andy Warhol" and "My Death" sung beautifully
by both Bowie and Ronson (on bass guitar). "Space
Oddity" started with Ronson counting down the take-off
sequence to Bowie's murmured blastoff which ended with a
spoken "Yoo...doo...daa...better!". For "Andy Warhol"
Bowie said, "This is a painter, from New York, terrific!
That's my impersonation, and its about a man called Andy
Warhol - Warhol". After the song Bowie made a stream of
conscious observation about a palm tree and lobster -
"Playing to you courtesy of a piece of palm tree that I
ate, I asked for lobster tail, and they brought me palm
tree, piece of palm tree. Yeah really. That's all." For
"The Jean Genie" Bowie said "This one is about - give me
some lead - no it isn't, its about a New York lady and
its about a guy who lives in New York called Jean Genie
and it begins in E." Bowie had just recorded "The Jean
Genie" in New York and mixed it in Nashville. During
their next concerts in San Francisco he would make a
promotional video about the song with Mick Rock, on the
streets of San Francisco, in the studio and in the
Winterland Auditorium.
|
|
"It was like walking into the future,"
says DJ Rodney Bingenheimer, dean of the Hollywood rock-scene,
recalling Bowie's two sellout shows on October 20th and 21st at the
Santa Monica Civic Auditorium. "When that strobe light started
going, it seemed like everything was black, white and silver -
except for his red hair." According to Bingenheimer, when Bowie
braked halfway through the show for a brief acoustic set featuring
"Space Oddity" and a haunting performance of Jacque Brel's
"My Death," people were stunned. "Everyone became real quiet,"
he says. "It was like seeing music from the future."
 Robert
Hilburn, in his Los Angeles Times review of the Santa Monica
spectacle, was no less gushing, hailing Bowie, as "a certified,
genuine, guaranteed, blue-ribbon star." - from Live! 20 Greatest
Performances: David Bowie & the Spiders From Mars (Rolling Stone - 4
June 1987)
Following "Suffragette City" Bowie and the Spiders left the
stage and then returned for the encore:
"Rock
n Roll Suicide"
|
"You heard the applause and that's a bid for
David Bowie to come back on, and they are coming back
on. We're at Santa Monica Civic, first of two
performances in town. They're back on stage, they'll
perform some more, a standing ovation' - DJ
Steve Martin
IMPORTANT
NOTE: This page was copied from
"The Ziggy Stardust
Companion" an excellent website that is crammed with
interesting details, great photos, etc. It can be found at
"http/www.5years.com".
I've added and changed a few photos but it's
basically the same text. THANKS! |
MY ZIGGY STARDUST EXPERIENCE
LA
TIMES REVIEW OF CONCERT
|
|
|